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The Martin McDonagh written and directed film follows Mildred Hayes (Frances McDormand) in her decision to rent three billboards off an otherwise abandoned highway in order to force the local police chief (Woody Harrelson) to address the rape and murder of her teenage daughter, Angela, that occurred seven months prior. Here’s the problem: “Three Billboards” is bad. Giving the final award of the night to “Three Billboards Outside Ebbing, Missouri,” which had already collected three other awards, seemed to fit the ceremony’s tone in that it’s a film led by a woman which addresses racism and sexual assault. DeMille Award acceptance speech and Natalie Portman’s off-script jab at the all-male line-up of Best Director nominees. The ceremony certainly had its fumbles, but not without some genuinely moving and effective moments, like Oprah’s Cecil B. It was a night in which activism was front and center - attendees dressed in all black to show solidarity with the #MeToo movement and the newly organized Time’s Up Legal Defense Fund seeking to end sexual harassment in the workplace. 7, the 75th annual Golden Globe Awards ceremony ended by awarding “Three Billboards Outside Ebbing, Missouri” the honor of Best Motion Picture – Drama.
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IS THREE BILLBOARDS OUTSIDE EBBING MISSOURI MOVIE
It’s as if the movie doesn’t really care enough about any of this to take its own stand.On Sunday, Jan. Three Billboards Outside of Ebbing, Missouri giggles while its characters violently prove that maxim to be true, then lets itself off the hook with an ambiguous, “let the audience decide” ending. “Anger begets anger,” a minor character notes at one point. Ebbings registers less as a real place than a construct, a stage for some facile observations about justice and vengeance. (I thought Woody Harrelson, as the police chief, was supposed to be the funny-scary villain until the movie gave him cancer.) The relationships among all these characters are never fully established, so that watching Three Billboards feels a bit like being dropped into Season 3 of a sitcom without having seen a single episode. Throughout, comedy awkwardly bumps up against sentimental sincerity, often in the same scene and within the same character.
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That Rockwell’s character is also a violent racist and, much later, unconvincingly asked to be the story’s potential saving grace gives you an idea of the whiplash Three Billboards delivers. McDormand’s dialogue mostly consists of vile, “shocking” insults that are delivered as punchlines Peter Dinklage hangs around so characters can joke about his size and Sam Rockwell yucks it up as a dopey local cop. Doesn’t sound funny? That doesn’t keep writer-director Martin McDonagh ( In Bruges ) from going for laughs. A tonal disaster, Three Billboards Outside Ebbing, Missouri chronicles the angry campaign of a single mother (Frances McDormand) to get her small-town police department to continue investigating her daughter’s rape and murder after the trail has long gone cold.